October 03, 2012

Composite Characters

Today I'm pleased to introduce Gabriel Fitzpatrick, author of the digital Romance, Rmnce, who has dropped by to teach a little about creating composite characters.

They say that creating characters from real people lies at the vertex of laziness and subliteracy. And when I say “they,” I mean the Bitchy Goblins That Live in my Head. Yet at the same time, a composite of a dozen people becomes more than the sum of its parts, or else less than the sum of its parts. In either case, there is art in it, beauty of an open and apparent kind. More over, in an attempt to capture the mind of a generation, it pays to take a few pieces from the individual, as well as from the collective.

Britney Morgan, the female lead of Rmnce, is one of those characters. She combines a sequence of men and women whose mannerisms were unique enough to remain steadfastly in my mind, some of them for years past our parting, whose tendencies and paradigms were both a product and a mockery of those people. The irony in this is that the character came out decidedly unlikeable. She demonstrates the point of the work as well as I could ever hope for, serving her purpose flawlessly and without alteration.

Yet, as I touched on in hated characters, she exists in my mind, a personality which I could almost put in place of my own were I to choose, and perhaps part of the reason she eats at me like a Herculean poison is that she exists as an unnatural aberration, a creature of a certain sort of beauty which nonetheless simply ought not be.

Beauty in all things. So chew on that, Bitch-Goblins.

Gabriel’s new book, Rmnce, hits digital shelves October 1st! Find it on Amazon, B&N, and Smashwords.

Rmnce series is a love story told in 4 parts. It follows a couple from the first drunkenly passionate days of their college romance all the way through a life together, often tumultuous, always overwhelming, and overridingly disquieting as only true love can be.

Rmnce is not, however, your traditional love story. Or perhaps more accurately, it does not appear to be your traditional love story. It is written entirely through the communications of the couple. Text messages, emails, and even a few old-fashioned letters make up the entirety of a story, what one early reader termed "A story not so much written as formed organically in the negative space."

It is, in short, a commentary on love in the digital age, a tribute to the great love affairs of the digital generation, romance not lost in the sea of text-speak and instant gratification, but merely obscured from the prying eyes of those too far removed from its cultural roots.


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